What to Write

One of the most difficult parts with starting a new writing project no matter the type is deciding just what to write. NaNoWriMo officially begins in about a day and a half, so I figured today I would write about deciding what to write about. Deep, I know.

Ideas can come from anywhere. Existing works can be a great influence, but accusations of plagiarism can be a frightening concept. The trick with using an existing work as your muse is to treat it as a diving board; an entry way into the pool of possible ideas. What can you do to make the story yours? To take control? It is not even necessary to focus too heavily on making sure your story is different; typically, the more time you spend focusing on making your story different, the more the similarities are highlighted. Go with the flow, and let the story carry you along. To extend the diving board metaphor above, let the ripples carry you forward, but change how you dive in.

This year, my muse came from the radio. Specifically, a single word I heard on the radio while driving to work a few weeks ago. I couldn't tell you if I heard it in a song or on a commercial, but the words "home fire" really stuck out. I believe, though I am not certain, that it was part of a phrase, "Keep the home fires burning." and immediately I started thinking of a story to fit that phrase. The first question I had was: Why? Why do you need to keep the home fire burning? What would happen if the home fire went out? Why is it called a home fire? Is it different from a regular fire? Slowly, I started to figure out the answers.

First of all, what is the difference? Why do you need to specify that it is a home fire? The reason for this distinction, is that the home fire is the portal back home. If the home fire is extinguished, so is the connection to your home. Without the guiding light of that special flame, you are destined to roam, lost, forever. In order for this to make sense, though, the home fire also had to play a role in leaving the home. If you imagine an island, you cannot escape the island without a boat, but you also cannot reach the island without a boat. That left me with the concept that people had to choose to go somewhere, knowing full well that their return relied on the mythical home fire.

In order to make such a decision, the people would need a strong driving force. If they had another option, a safer option, why would they not take it? I saw two options: the destination was so beautiful or wondrous that people just had to see it, or that they had to go there in order to survive, in order for their families to survive. Both possibilities held promise, but ultimately I decided to go with the latter. Forcing people into the situation, rather than having them go by choice, seemed to offer a clearer path for the progression of the story. Ultimately, I decided that the home fire would serve as a portal to a mine, a hellish underworld that held gems and minerals needed on the surface. In order to feed their families, one man from each house would work in the mines every day, bringing up gems and rocks to feed his family. The catch being that every man knew if his lantern of home fire were to be extinguished, he would be stuck in the mines forever. You cannot create new home fire, and you cannot use a fire from somebody else, only the flame that brought you in can take you out.

Obviously, the conflict would involve the main character's fire going out, but what would that mean for him? If a typical man were trapped in a hellish mine, knowing that he had nothing to lose, completely void of hope, what would he do? I'm sure some people would go insane; fight and try to take out as many people as possible. Others would opt for flight; convince themselves that there has to be some escape. Others still would probably just give up and accept the inevitable. But then what would the other miners do? How would they handle seeing their former comrade put into this situation? Ultimately, I decided that the other miners, under instruction from their government, would turn on and kill any miner who loses his way back home. Not all miners agree with this, but they know it is kill or be killed. If you are caught disobeying, you will be the next one executed.

There is a reason the government encourages death, but that will be saved for the story itself.

And there you have it. From a word on the radio, to a brief and basic outline of a potential novel. See, that wasn't so hard, now was it?

Tomorrow is the day

And I find myself disliking my latest plot idea again. *Sigh* I think I am destined to fail, but I am not ready to throw in the towel just yet. I still like my plot, I just don't think it would fit a script. Scripts and novels are more different than I originally planned for, with scripts focusing on the dialog and novels focusing on the scenery. Still, that is one of the main reasons I want to at least attempt a script frenzy victory, to help build my dialog skills. At the same time, I want to come up with a story that lends itself to heavy dialog, and with that I have a new idea. A group of three assassins doing jobs and competing to successfully find and train an apprentice assassin. Still set in a medieval setting, and I am still working through the details, but time is short.

Nothing further on the poetry front, I will probably just stream of consciousness something tonight at midnight. Look for it then.

Time is ticking down

Just another three days until my masochistic challenge frenzy begins. For the first time in the planning stages I have made it 48 hours without throwing out my plot idea for Script Frenzy so I am thinking I will be going forward with the communal society idea mentioned in my previous post. Even though I have not yet read The Hunger Games I will say that the idea of warrior children fighting for their lives is loosely based on the current hype surrounding that series. Truth be told, as I built the plot in my head, I borrowed ideas from several stories that I have read. There was a time not too long ago that I thought using existing plots as inspiration was the mark of a bad writer, but with time I have come to believe that inspiration from the experts is one of the best ways to go. The challenge is taking that muse and creating something that is entirely your own.

For this plot in particular, I imagined small portions mainly from three book series, with three more in the back of my mind as I was planning. The initial thought came in thinking about R.A. Salvatore's The Dark Elf Trilogy (Book 1) Dark elf children are sent to one of three schools: battle, magic, or temple. It is a matriarchal society that places a much higher value on females than males, and the children are sent to a school that benefits the family the most. My original plot idea followed this relatively closely, with families choosing what career path would be the most prestigious for their reputation, keeping in mind that if their child did not succeed and was killed in battle school or wizard school the shame would be worse than having a child working in menial labor or as a scholar (assuming the society valued warriors and fighters).

The next inspiration came from the Night's Watch in George R.R. Martin's A Song of Ice and Fire (My personal favorite series) The various members of the Night's Watch are selected to serve as either Rangers (warriors, explorers), Stewards (scribes, cooks, etc), or Builders. The boys are selected based on their skills and the needs of the group as a whole.

These two series cover the vast majority of my inspiration when thinking of this plot, and I have to give credit where credit is due. Hopefully I will be able to come up with a story that is uniquely mine while putting good use to the ideas born from some very talented authors.

Perilous Plot Problems

Down to less than 6 days and I am still struggling with the planning portion of this writing challenge adventure. For the time being I have opted to stop planning for NaPoWriMo and focus more on getting a plot ready for Script Frenzy. This is mainly due to the fact that a script really needs a plot, while for poems I can do 30 independent poems rather than an epic poetic series.

In an attempt to make the plot preparation process easier, I decided to temporarily ignore that I was preparing a script, and instead come up with ideas for a novel. The problem now is condensing an idea for a novel into a decent script form. Not to mention the fact that as I prepare outlines and plots for these stories, I find myself saying, "No, I will hold onto this plot, and make it into a proper novel down the road." Alas, I think I finally have an idea I am ready to roll with, just need to get some more outlining and character development done. Essentially, the idea is a communal society where children are raised up in large groups by women who are specially chosen to raise children. Every person is herded into a specific job at a specific age that is yet to be determined, with boys being sent to become warriors, wizards, stewards (scholars), clergymen, or laborers (farmers, builders, etc). Girls on the other hand are sent to be birthers, cleaners, cooks, or child raisers. I am imagining a girl, or even a group of girls that try to infiltrate their way into the boy's options for jobs. Not sure how I will incorporate that with the community style child raising, but that is another adventure to figure out during April.

Plans and Outlines

If this were NaNoWriMo I would have pages upon pages of back story, character development, and outlines already prepared, but my decision to participate in NaPoWriMo and Script Frenzy were both relatively last minute, and neither genre is really a strong suit for me. Don't get me wrong, I am not going to rush blindly into April, I still have a week plus a day, and I am an experienced procrastinator, but I think my time will be spent more on mental preparation than actual plot development.

My first and main concern is for Script Frenzy. Not that I view that as the more important writing challenge, but just for the fact that I have written poetry and have not written scripts before, SF is a bit more difficult for me. I felt a little stupid last night after spending a good while ruling out potential plots because it would be too difficult to reenact on stage, just to remember that script writing constituted television shows and movies as well as stage productions. Today, I have been focusing on learning how to format a screenplay and at the recommendation of the official ScriptFrenzy website, I started using a program named Celtx.

Celtx is free and has a desktop application available for Mac and Windows, as well as a web based cloud service. So far I have only played with the web based service, so I can do some writing at work on my lunch break, and continue at home without any difficulty. There is also a PRO version of the software, as well as Android and iOS apps for a small cost, but in my current situation none of those seem prudent. The great thing with Celtx is that it basically handles the formatting for you. Sluglines, actions, characters, dialog, all handled with minimal effort from the user. Definitely a godsend, allowing me to worry more about writing and less about formatting.

On the plot side of things, I am still struggling. One idea I had for my script project was sort of a real person in a video game story. There was a Scooby Doo movie that did something similar, or the relatively recent movie Gamer, or even, in a certain sense, Scott Pilgram. If I go this route I would probably place the character in a MMORPG, with all the user interactions that go with that. Some things will be different since the character would be in the game, not just playing it, but things like resurrecting after death, talking to other characters (but not in the world wide chat) and allocating skill points would all be present. Not 100% on how I feel about that story line, but it is a possibility.

For the poetry challenge, I still like my idea of an epic poem, and actually had a couple of ideas. One that I am toying with would be told from the point of view of a prophet, medieval style scenery. The first and thirtieth poems would be in a first person perspective, the prophet talking about himself and what he does. Poems 2-29 would likely be third person, each poem referencing a specific prophecy that is foretold. Some specific ideas, since it would be medieval in nature include prophecies of the King, the Queen, the Prince, the Blacksmith, the Knight, etc. Still working on the full 28 character list, and still deciding if I really want to go forward with that idea.